Parent and Baby
At Light House Cinema, we know that it can be hard for new parents to get the time to do something for themselves. Our dedicated Parent and Baby screenings let you catch one of our new releases without having to find a sitter, or worrying that you’ll have to run for the door if the little one gets fussy.
To make it easier for parents to catch a film, there is discounted parking in the Queen St. car park for Light House Cinema patrons. We also have a place to store your pram or buggy, and we turn down the volume and keep low lighting for baby’s comfort.
There’s a range of fresh sandwiches, cakes, herbal teas and coffee (decaf and regular) at our café where you can meet and chat with other mums and dads. Parent and baby screenings are on Saturday and Wednesday mornings.
Show your ticket after the screening for 10% off lunch at our café!
A deep-sea submersible - part of an international undersea observation program - has been attacked by a massive creature, previously thought to be extinct, and now lies disabled at the bottom of the deepest trench in the Pacific... with its crew trapped inside. With time running out, expert deep sea rescue diver Jonas Taylor (Statham) is recruited by a visionary Chinese oceanographer (Winston Chao), against the wishes of his daughter Suyin (Li Bingbing), to save the crew - and the ocean itself - from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that, years before, Taylor had encountered this same terrifying creature. Now, teamed with Suyin, he must confront his fears and risk his own life to save everyone trapped below.... bringing him face to face once more with the greatest and largest predator of all time.
Joan Crawford won an Oscar for her performance in this Noir thriller. Opening in classic Film Noir style, with a grisly murder, the victim manages to utter a name before he croaks - Mildred. The Mildred in question is a chain-restaurant entrepreneur (Crawford) with a questionable past. The film examines her history, from her unhappy first marriage, through her entrepreneurial start in a restaurant and finally her social climbing marriage to a man she doesn't love in order to crack the case of the opening scene. Mildred Pierce is the archetypal femme fatale in a quintessential Film Noir.